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Only someone of Badu’s talent can pull off a stream of consciousness this mystical and make it coherent. Badu and Zach Witness were hyper-conscious of these vibrations, using Tibetan singing bowls and tuning forks to hone in on specific wavelengths.
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The tape is quite obviously about phones, but the lyrical themes emphasize the interconnectedness that these devices facilitate, a search for peace, tranquility, and “sympathetic vibrations” of analog humans in a digital world. It exists partially on the astral plane, somewhere in the vibrations and wavelengths sent careening into space by our cellular devices. Badu has always had a casual mastery of bending the english language to express herself, and But You Caint Use My Phone is just an entire album worth of that vibe. It’s breezy, easy, and confident the product of someone who’d already spent a couple decades honing her craft.
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The 11-song, 37-minute tape certainly sounds like it was flipped in less than a couple weeks, and in the best way possible. She told the Times that Seven “wrote a lot of jewels on here.” For the But You Caint Use My Phone sessions, they holed up at casa Badu, working with Atlanta rapper and Drake vocal impersonator ItsRoutine (aka Aubrey Davis), Outkast’s Andre 3000, and his son with Badu, Seven. She first heard a mix he made of her music on Soundcloud she would later learn that he had been a child turntable prodigy nicknamed “White Chocolate,” and that they had attended the same high school, 15 years apart. In fact, it was a remix that connected Badu to her main collaborator on the tape, a Dallas producer who goes by the name Zach Witness. Telephone Man,” Usher’s “U Don’t Have To Call,” Uncle Jamm’s Army’s “Dial-A-Freak,” and Todd Rundgren’s version of the Isley Brothers’ “Hello It’s Me.” She flips some of her own jams, too, weaving the punchline from live classic “Tyrone” throughout, and reworking “Telephone,” a jam from New Amerykah Part One (4th World War) inspired by J Dilla. Badu is one of the form’s greatest practitioners, and here she flips some classics: New Edition’s “Mr. Take a song filled with negative space, and creative people will get inspired to fill it with themselves. Of the Aubrey Graham original, Badu told the LA Times that “It’s beautiful in its simplicity.” Much has been said about the memeology of Drake, but it’s a tried and true formula for creation plenty of artists make music ripe for remixes. Just ask yourself, after watching Drake’s redbone call center video and hearing her hilarious hotline message, whose hotline would YOU call? Like most things Badu, it’s anything but a standard remix rather, it’s a reimagining, her riff on another artist’s work that becomes wholly her own. It was born of a “remix” version of Drake’s “Hotline Bling” that she put together as a birthday present for a friend. The remixes reflect Erykah’s daring and dynamic, unique and always interesting track selections with a twist.But You Caint Use My Phone, the new stream-of-consciousness mixtape from Neo Soul Queen Erykah Badu, is, in essence, a remix album. We put out the call for Badu remixes, covers etc and received so many it was impossible to include them all in this mix.
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Via BamaLoveSoul : “Once again we find ourselves curating a mix of a large number of producer’s love for one amazing artist: Erykah Badu! This mix is more than just a Badu tribute, it’s a testament of her creativity and it’s influence on so many.
#Erykah badu tyrone remix free#
Free Download: BamaLoveSoul Presents Y’all Feel That?: Erykah Badu Remixes, Flips & Covers Pt2